BUILDING CHARACTERS IN A STORY- PENMIND WHATSAPP LECTURE by Prince Oloyede Oyedele Abiodun
Lecturer:
Hello house
Lecturer:
Happy to be here
Penmind
Phillips: Happy to be here
Lecturer:
Good to be here with you
*Penmind
Phillips: Yeah
*Penmind
Abdulwaheed: forwarded (‘Good to be here with you’) Good evening sir. This is
our lecturer
Lecturer:
I am to talk on building characters in a story
*Penmind
Abdulwaheed: Yes. You are welcome. Go on sir.
*Beatitude:
with due respect
Lecturer:
but let’s ask. What is characterization in story writing?
*Beatitude:
Characterisation is the building up characters (protagonists and antagonists)
in a literary work of arts.
Lecturer:
characterization is a literary device used in literature to highlight and
explain details about a character in a story.
Lecturer:
understanding characterization is essential to writing good stories.
Lecturer:
How do we build characters in a story? First picture the characters in your mind.
*Rotimi
Adeniyi: A character could be introduced
from different available point of views of narration
Lecturer:
make a kind of plot. Then decide how to introduce the character(s)
*Rotimi
Adeniyi: Oh!
Lecturer:
You can start by physical description.
Rotimi
Adeniyi: Ok.
Lecturer:
a visual image
Lecturer:
then you can think about the characters qualities-emotion, reaction, belief
etc. By now you would have given a short biography of the character
Lecturer:
in developing a character, you must know the character type. Is he romantic,
criminal, cop, stoic, master, servant etc.
Lecturer:
characters must be real or have the concept of verisimilitude.
Lecturer:
verisimilitude means very similar to nature.
Lecturer:
a word of caution
Lecturer:
your characters must not be perfect
Lecturer:
Guide against that
Lecturer:
in fact, the masters believe that a character must have a flaw which will
ultimately lead to his fall
Penmind
Phillips: Yeah.
Lecturer:
in writing and when you want to espouse your character you may choose the first
person narration or third person narration
*Penmind
Phillips: You are right prince
Lecturer:
whichever you choose will affect how you develop your character
Lecturer:
in the first person narration, you know the character through his thought
process
Lecturer:
what is he thinking about? How he perceives himself
Lecturer:
what he thinks about other characters/ and his conversation with them
Lecturer:
another angle/ modern literature has changed a lot
Lecturer:
Aristotle believed that ‘Plot supersedes character’/ but in modern literature
character is the king
Lecturer:
though as writers, you are free to write any way you want
Lecturer:
In my time, we also talk about character types but I’m surprised it is not
being talked about so much now.
Lecturer:
then, we talked of straight, flat, rounded, developed etc. character types
Lecturer:
now I can only find what is referred to as direct or indirect characters.
Lecturer:
direct is when the narrator, other characters talk about a character
Lecturer:
indirect is when readers are allowed to make deductions
Lecturer:
in Drama, more is known about a character through dialogue/ you have to keep
all these in mind when writing
Lecturer:
research your subject thoroughly before writing/ plot your character building
as you write/ mind their language and keep them real
Lecturer:
thank you all for following me
Lecturer:
Your questions if any please
Penmind
Ireal: (Research your subject thoroughly before writing) ‘ elaborate sir.’
Lecturer:
yes/ on what
Beatitude: I have a question
Lecturer:
go on
Beatitude:
can you please explain the direct and indirect character well? I don’t really
understand
Lecturer:
Ok.
Penmind
Kabir: please sir, which one comes to mind in writing to develop a story out of
subject matter that ushers in characters which in turn develop the whole plot?
I mean that comes first
Lecturer:
Ok.
Lecturer:
when you talk of direct characterization you are talking about a narrator
saying ‘Mr O has been a thief all his life’
Lecturer:
indirect is when the reader makes deduction
Beatitude:
(indirect is when the reader makes deduction) ‘I don’t understand.’
Lecturer:
Eg ( Mr O enters the room, he gingerly opened the safe and scooped the trinkets
into his pocket. He looks right and left and quickly exited through the window.
Beatitude:
(Eg ( Mr O enters the room, he gingerly opened the safe and scooped the
trinkets into his pocket. He looks right and left and quickly exited through
the window.) ‘This should be imagery.’
Lecturer:
follow my example/ can you see the difference?
Lecturer:
in the first example, you were told that Mr O is a thief
Beatitude:
yes/ go ahead please
Lecturer:
in the second you make your deduction./ Ok
Lecturer:
when you start to write you first do a rough plot before others come in/ you
must know your story line before you start writing
Lecturer:
are you satisfied?
Beatitude:
So, it means direct goes straight to expose the character, while indirect takes
a crooked way to expose the character, bit by bit… I’m I right?
Lecturer:
Yes/ Though I won’t accept crooked . It is just a style
Beatitude:
I know/ I understand now
Lecturer:
for example, if you know about the Brechtian school in playwriting they won’t
say this right but will allow the audience to make their minds up
Penmind
Bukola: Thank you sir.
Lecturer:
That is why some of their plays are open ended
Penmind
Bukola: Tonight lecture has really added greatly to my knowledge
Lecturer:
A case in point is ‘Once Upon four Robbers’ by Osofisan Femi
Lecturer:
thanks
Lecturer:
Happy to share with you all.
Penmind
Abdulwaheed: Our lecturer tonight graduated from department of Theatre Arts at
Obafemi Awolowo University, Ile-Ife, Nigeria. He is the Chairman, Association
of Nigerian Authors Osun State Chapter. He is also the Deputy Registrar of the
Osun State College of Technology, Esa-Oke, Osun State. He is a prolific writer:
he writes across genres of literature. He is happily married with children.
Penmind
Abdulwaheed: Please let’s appreciate HIM.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Some
members of the group appreciated the lecture/ lecturer with smileys while used
texts.
Penmind
Godwin: it was enlightening
Penmind
Mubarak: It was mouth gaping/ what an aesthetic speech
Beatitude:
Thanks Mr Lecturer
Lecturer:
Thank you all./ keep writing
Katoonspeak:
I am not surprised, it takes certain mettle to be the chairman of an elite
associate…I doff my featherless hat to your gold crested crown sir.
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