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WHICH ANIMAL DO YOU FEAR?
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God described them in different colors, shapes and sound just for some purposes; sometimes for protection and it may even be that they are their to scare human. You fear animals?
African drama and theatre started to emerge in Africa continent when British came to make their affairs of life imposed on Africans. They came with ideas; religion, education, business transaction, making Africa a raw material place where their solid land was built up by it. Through this, African lifestyle changed and wore another garment because of the predicament at the advent of British. Though Africans had their normal dramatization (in form of folklore), their experiences for the coming of British always feature in the African drama and theatre that was inherited from Europeans. The origin of African drama and theatre based on traditional, history, and contemporary dramatic forms in Africa which range from sacred or ritual performances to dramatized storytelling, literary drama, or modern fusion of scripted theatre with traditional performance techniques. The diversity in performances is as a result of massive spread of cultures and traditions in each country. A lot of t...
This is an interview conducted in a WhatsApp poetry group known as JP LACONIC between poet Oladele Ayo, a Nigerian and poet Fuseini Mohammed Kamaldeen who is a Ghanaian. Mr Kamaldeen unveils his perspective of poetry and how he writes it. L Oladele Ayo: Good evening everyone. My name is Oladele Ayo, I will be hosting tonights interview with the one and only Fuseini Mohammed Kamaldeen. You might know him as Dipantiche thetiche Naporoo Shitobu or "Creative Thinker". L Oladele Ayo: Sir, we will like to know you more; your profile and how you got to this level. Dipantiche the Poet: And thank you for hosting me here as a guest tonight. I am grateful to you and the unit for putting me on interviewers' seat. L Oladele Ayo: You're welcome Dipantiche the Poet: I am certified Fuseini Mohammed Kamaldeen but m...
At Oja Ale The stars, the dew, the moon Transfix into the world of darkness To give life to those that sleep at night. Their ghostly voices, calling customers of silence To purchase from them, their aged dreams The sharpness of the falling dews Interrupting the dialogues of lone traders, wiggling Their solo hymns, without a musical instrument At Oja Ale The market of misty walls and pavements They place their dreams on their feet and hawk With their hands on the earth, their heads at the centre Some are animal likes, with perpetual tails like satyr That form coniferous lines at the centre of the crowd Strangers experience the multiple metamorphoses That makes the heads float in the waiting cloud They are not evils; they are the other side of life Bewaji, My betrothed woman, daughter of the Gods Will you accompany me to Oja Ale? To explore the pleasures of dark miseries To visit these great traders the Gods mentioned in their verse ...
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