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African drama and theatre started to emerge in Africa continent when British came to make their affairs of life imposed on Africans. They came with ideas; religion, education, business transaction, making Africa a raw material place where their solid land was built up by it. Through this, African lifestyle changed and wore another garment because of the predicament at the advent of British. Though Africans had their normal dramatization (in form of folklore), their experiences for the coming of British always feature in the African drama and theatre that was inherited from Europeans. The origin of African drama and theatre based on traditional, history, and contemporary dramatic forms in Africa which range from sacred or ritual performances to dramatized storytelling, literary drama, or modern fusion of scripted theatre with traditional performance techniques. The diversity in performances is as a result of massive spread of cultures and traditions in each country. A lot of t...
INTRODUCTION: 2016 marks the golden anniversary of the publication of the novel Efuru by Flora Nwapa. Efuru is a novel by Flora Nwapa which was published in 1966 as number 26 in Heinemann's African Writers Series, making it the first published book by an African woman writer. BACKGROUND Flora Nwapa was born on January 13th, 1931 in Oguta in the present day Oguta Local Government Area of Imo State, Nigeria. Flora attended Oguta CMS Central School, Archdeacon Crowther Memorial Girls School, Elelenwo, Rivers State; CMS Girls Grammar School, Lagos, and Queens College, Yaba, Lagos in 1951-52. She then proceeded to the University College Ibadan (University of Ibadan) in 1953 where she graduated with Bachelor’s Degree in Art (BA) in 1957. The next year, she went to the University of Edinburgh, Scotland and finished with a Diploma in education. Upon her return to Nigeria in 1959, her initial work experience started as an educational officer in Calabar, Cross R...
This is an interview conducted in a WhatsApp poetry group known as JP LACONIC between poet Oladele Ayo, a Nigerian and poet Fuseini Mohammed Kamaldeen who is a Ghanaian. Mr Kamaldeen unveils his perspective of poetry and how he writes it. L Oladele Ayo: Good evening everyone. My name is Oladele Ayo, I will be hosting tonights interview with the one and only Fuseini Mohammed Kamaldeen. You might know him as Dipantiche thetiche Naporoo Shitobu or "Creative Thinker". L Oladele Ayo: Sir, we will like to know you more; your profile and how you got to this level. Dipantiche the Poet: And thank you for hosting me here as a guest tonight. I am grateful to you and the unit for putting me on interviewers' seat. L Oladele Ayo: You're welcome Dipantiche the Poet: I am certified Fuseini Mohammed Kamaldeen but m...
Nigerian education is not even the best all. What to talk of mass failure in our national exam, ASUU strike is their too!
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