I NEED A Man - Akande Iqmat

      
          Yes i do,
I'm tired of frogs, I need a prince
I want a man like a lid to my tin
I want a partner in all form
Always ready to listen
Giving meaning to every minute
           A man I need,
A man who will care for me like his only...,
Who will value me like I'm indispensable
Who knows my worth and regard me as irreplaceable
Whose encouragement  will keep me going
Who will achieve with me my dreams
A man  who will always make me smile and never to cry
Making other women jealous
He would mean all to me.
           Have you heard of him?
A man who commands respect
What less did you expect
Generous and full of valour
I want the man I dream of
Cos I need him not only in the dream world

(C)Akande Iqmat 2019

Comments

Post a Comment

Popular posts from this blog

A REVIEW OF DENJA ABDULLAH’S PLAY DEATH AND THE KING’S GREY HAIR - By Olaniyi Abdulwaheed

Image
In every society, there must be a leader. A leader who is ready to refurbish the land, lead by example and abides by the laws of the society. A leader who is respected by his subjects is the one that serves the nation relentlessly and bends for the rule of law. The law of every society defines its power, culture and tradition. The uniqueness of a tradition in a particular nation is reserved in the constitution and how the people of the state respect the rule of law. When the power of a nation is given to a particular person to maintain orderliness, peace and harmony reigns if the ruler or king obeys political culture. Leaders must lead by example lest things fall apart. The play Death and the King’s Grey Hair centres around the ancestral culture of the people of Shakaga village. According to their unwritten constitution , a king rules for a short period of time, it is a taboo for him to live with signs of ageing,.The village only witnesses young kings and short reigns. The law
Read more

The origin of African Drama and Theatre with Salient Elements from Selected Plays by Olaniyi Abdulwaheed

African drama and theatre started to emerge in Africa continent when British came to make their affairs of life imposed on Africans. They came with ideas; religion, education, business transaction, making Africa a raw material place where their solid land was built up by it. Through this, African lifestyle changed and wore another garment because of the predicament at the advent of British. Though Africans had their normal dramatization (in form of folklore), their experiences for the coming of British always feature in the African drama and theatre that was inherited from Europeans. The origin of African drama and theatre based on traditional, history, and contemporary dramatic forms in Africa which range from sacred or ritual performances to dramatized storytelling, literary drama, or modern fusion of scripted theatre with traditional performance techniques. The diversity in performances is as a result of massive spread of cultures and traditions in each country. A lot of t
Read more

A CRITICAL REVIEW OF A PLAY TITLED “ARMattan of VENOM” BY OLANIYI ABDULWAHEED

Playwright : Gege Baseran Title of the book : ARMattan of VENOM  (KOMMEDY of the Other ) Genre : Play Reviewed by : Olaniyi Abdulwaheed ………………………………………………………………………………………………….. It may not take an ordinary man to wipe the tears of a suffering land. The land that is full of chaos is not always friendly with orderliness. While some are working towards progress, many are blocking the estuaries to the sea of social development. In the land, people bargain their conscience with personal gain. People whose responsibility is to look after the social well being of the people, serve as the doctors to societal hills, are even the patients to be treated at the ward of the universe. Oftentimes, it is so painful to be in the harsh condition of social weather; when there should be breeze, it gives heat; when rain is required, it gives Harmattan, so everyone in the society shivers in the boulevard of penury and chaos. In this sense, Gege Baseran travels to the world of sage
Read more